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Album Review: U-N-I & Ro Blvd – A Love Supreme (2009)
Rating: 3 out of 5 Potholes
Dreambox ncf repair tool sim2 edition v2. A Love Supreme is a place we can all go to celebrate and commiserate being a Sunderland fan. Take solice in the pages of this site. Y-O just sent the first leak off U-N-I and Ro Blvd’s A Love Supreme 2.0. A physical release of A Love Supreme (with revamped tracks, 5 bonus songs and a new playlist) hitting stores and iTunes on February 23rd. Test your JavaScript, CSS, HTML or CoffeeScript online with JSFiddle code editor.
In short, A Love Supreme is one of the greatest albums of all time. From “Acknowledgement” to “Psalm”, John Coltrane’s quartet produced a timeless classic.
(April Fools? No. That was just wack.)
U-N-I is comprised of Y-O and Thurzday, two young emcees hailing from Los Angeles, California. These flamboyant characters are nothing short of stylish, and their sophomore release entitled A Love Supreme is the vibrant pink icing on the cake. With the help of producer Ro Blvd, this album is a voyage down a synth/key-oriented rainbow road. You can imagine there are quite a few bumps along the way. No sugar high comes without its repercussions.
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It is important to note that A Love Supreme is a very clean album. The delivery of the lyrics are crisp, and the production is in a West Coast state-of-mind. It didn’t take long to admire the simplicity of a track like “Supreme”; a bar’s worth of catchy synths and complimentary drums is all U-N-I is given to deliver the goods. “London Lauren” is another prime example of Ro’s impressive ability to slap together a relaxed piece of work for Y-O and Thurzday to attack. Though there are a few instances where this record is too pretty. “Hollywood Hiatus” will take you back – literally. The beat is a multi-layered cyclone, set to a slow motioned reverse. “Stylin'” is far from stylish – it comes off as weak and fragile via both the producer and the emcees.
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This clean album does have one rotten apple though. It’s grimy, dirty, and raw. It also happens to be the best track on the record. I could not ask for more out of “Pulp Fiction Part 1”. A narrator (Thurzday) tells the story of Mike (Y-O) and Cedric (Fashawn), two men who “plan to satisfy their hunger for wealth“. A badass guitar riff on one end. Scratchy keys on the other. Enticing story. Everything clicks.
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I have a really tough time soaking up the conclusion of U-N-I’s A Love Supreme. Any of the last three tracks could equal one outro. The over-the-top cries from both “Black Sky” and “Halftime” put Kanye West’s “Pinocchio Story” to shame. If that’s not enough, the final two/three minutes of the album is pure story time (Which actually reminded me of Kanye’s “Last Call”). Don’t get me wrong though, it’s a nice sounding curtain call to a unique album. I just don’t hope these L.A. natives think they’ve made it far enough in the industry to be taking such a mellow approach to a finale. To each his/her own, though.
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A Love Supreme is this, that, and a third. Y-O, Thurzday and Ro Blvd have created an album that covers a lot of different sound and material. It’s a stretch to call it versatile, though. No matter how badly these guys want to call themselves escapists of the stereotypical West Coast sound, I think they’re still in the mix. Regardless, it’s a good clean effort, and good clean fun.